“You might not believe me when I tell you this, but the [radio drama] listener really can hear (or should I say feel, as it is highly subliminal) the difference between an actor who is smiling or frowning, sitting or standing, fidgeting or static, busy or unoccupied, indoors or outdoors, etc… the advice I was regularly given – and pass on wherever I can – is to Action Match: try to always match any line of dialogue to a physical action.”Ian Kennedy – in a Script Reading for a client, 2010
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